Although she was born in the eighties, Nicole Simone has always been fascinated with nostalgia and old films from a very young age. She writes all her music with love for creating a mood and environment of her own in which one gets transported into old movie scenes set in a David Lynch-ian smoky nightclub, where Nicole takes the stage in front of the red plush curtains. Her haunting, intoxicating and timeless music is illustrated by a unique instrumentation of guitar, marxophone, orchestron, trumpet, mandolin, vibraphone, piano and ukulele. Nicole just completed her first EP, which will be released on March 9th 2010. On the opening track entitled, “The Wedding Song” actor/musician Jason Schwartzman lent his talents on drums and banjo. Nicole Simone’s music can be heard in the Sundance film The Good Life starring Bill Paxton, Zooey Deschanel, and Harry Dean Stanton, as well as in the indie film Alone With Her starring Colin Hanks. Her diverse artistic influences range from Frederic Chopin to Tom Waits and New Orleans funeral processions to the likes of Howlin’ Wolf, Billie Holiday and Cesária Évora. Nicole Simone’s first music video for the song “Melt” was shot near the Joshua Tree desert. The video is an homage to one of Nicole’s favorite films, Wim Wenders Paris, Texas as well as inspired by French New Wave directors such as Jean-Luc Godard and Louis Malle. You can see the stunning and intriguing music video here.magazine featured Nicole in their music issue alongside Bryan Ferry, Ryan Adams and Charlotte Gainsbourg. She has played support slot for artists such as Ed Harcourt, Jesca Hoop, Maria Taylor and Diane Birch. Nicole Simone co-produced her EP with Zac Rae and Woody Jackson. Gavin Lurssen mastered the EP.

A little bit about She & Him: “The She & Him story begins when in 2006 , renowned one man band M. Ward, recorded a duet with a girl named Zooey Deschanel. A delightful recording session, the experience lead to a dialogue between the two about collaborating further. This, in turn, led to Deschanel admitting to secretly making dozens and dozens of home demos and hoarding them like acorns for the winter. Sick and tired of being stingy and secretive about music, Deschanel realized that if songs were acorns then this was indeed her wintertime: she sent the recordings to Ward and these demos became the basis for their first record, entitled Volume One.”
Please please please, let me get what I want